Saturday, October 13, 2007

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6 Panorama and cinematograph


If a man for the year 1900 went to the movies, he did so as a rule at the fair. Stationary movie theater sat down first by very slowly.
addition to the variety owners recognized the showman first the possibilities of the new medium, which for some years, in particular a widespread Fairground attraction was. The "cinematography", "Bioscope" or "Electric Theater" presented their "living pictures" behind beautiful facades with integrated fairground organs. The modernity of the business and the wealth of their owners also documented the Front issued steam engines, on the one hand provided the business with electricity and constituted and as modern technical achievement a much admired focal point for the fair visitors.
were shown about half-hour programs with several short films. In addition to moving pictures of significant events, these were mainly small scenes in a colorful mix from crime, drama, comedy and eroticism. In particular, the "horrible" and "spicy" content could be considered in the early years of the resource of criticism, which focuses on alleged "harmful influences of the Kinematographentheater for Youth.

was very widespread before the advent of the panoramic cinematography.
had with the stationary circular paintings that show booths only the name in common. In Panorama to market through lenses paintings and later (stereoscopic) photographs are considered, which has been made often in simple lighting changes and plastic effects.
Although towards the end of 19. century, see also more "spicy scenes" are often remained views of distant lands, people and cities as well as world-historical events, but the central objects of attention. The panorama allowed in the truest sense of the word "insight" into the big wide world.
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(c) 2007 Stefan Nagel

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